Then something broke inside of me and I got homesick for Japan. So I figured a ticket to a 3D flick, albeit deathly extravagant, was cheaper than a flight back to Osaka. And for the record, I don't like 3D. If I wanted 3D entertainment, I'd read a pop-up book.
But I went. And I enjoyed it.
It was Memorial Day, and I can think of no better way to celebrate the brave men and women who defend our country than to watch them do their trained and proficient best to master that which cannot be cowed by human forces. Because like it or not, doing your best against an insurmountable foe is a part of every person's life, and unfortunately a not unknown occurrence when you defend your country and your country's allies against all comers. I salute you, and thank you.
Because I know that if San Francisco is attacked by anything more ferocious than a five-year-old waving daisy-chains and spitting antibacterial spit-wads, nobody is gonna save us except the U.S. armed forces. No way are those Silicon Valley nerds going to pick up anything except their iphone so they can twitter "OMG. Obese Non-vegan stamping through the Financial District. IDK what 2 du. #theGoldenGateisFallingDown."
Thankfully, I know in the event of alien or prehistoric invasion, we can rely on one or two megastars to give us something to feel emotionally invested in while a plethora of expendable, face&name-less extras sacrifice themselves for that weekly paycheck. Nobody we love dies, but we still feel the dramatic impact of all those sad - wait. Did the dog make it? Tell me the puppy outran the tsunami!
And I love me an international cast that is easily recognizable because of their English-language movie credits. I mean, sure Ken Watanabe had only one face through the whole movie, but it has so much depth and expression of shock and awe that one believes he could have produced any facial expression and be convincing with it - if only the director had asked him to. Good thing he was in the picture at all, because otherwise we would have forgotten that Gojira was originally a Japanese monster. Not a native Californian. (Nobody is actually from here after all.)
Now, don't get your prehistoric panties in a wad. I liked the movie. Way more than did my dad who complained that it was too cheesy and hokey to hold up to canon (which, as far as I can tell, is so solidly cheesy as to produce lactose-intolerant farts in the most die-hard dairy consumer).
What did I learn from Godzilla? The new one?
Westerners don't understand Japanese houses. Juliete Binoche wears shoes inside a very traditional-teki house. Go back and check. I promise I heard her heels click on the wooden hallway floor right before her kid got disappointed because dad hates getting old and is too obsessed with mothra look-a-likes to care about homemade birthday banners.
Americans are the only ones who care about spousal relationships. As far as I could see, there was only one lady who died in the whole thing and her husband would just not let the damned dog lie. But apparently all the Japanese widows whose husbands gave their all for science were content to just pick up their pension checks and not launch an inquiry. What could two or three hundred of them do to demand answers anyway?
Remember when I said you should never live in New York because of all the super-hero destruction? Don't live in San Francisco either. If you must live in the Bay Area, go to Morgan Hill. Godzilla ain't gonna rampage that far down 101.
Come to think of it, San Francisco is an incredibly hilly city. It's famous for cable cars and Lombard street, but the real thrill is driving up any one of those mini mountains in a convertible and looking out the back. Makes you think Christopher Nolan wasn't making stuff up in Inception. So I imagine that Godzilla is going to return to the sea to nurse his aching calves.
Prehistoric monsters, after sleeping for millions of years and osmosis-ing nuclear energy, will still find a mate before I do. And have millions of creepy-crawly glow-in-the-dark babies. Not that I begrudge them the babies.
Of course, they will also be ravaged by a lizard-lion-eagle-looking beast. Okay, we'll call it even, Mr. and Mrs. Muto.
Prehistoric monsters eat nuclear warheads like a rich teenager pops painkillers. And probably washes them down with vodka-and-Pepsis. Some people will do anything for a high.
The Olsen twins got mighty tall overnight.
If you are going to evacuate your city, consider your enemy. All of those monsters wreaked havoc on downtown and the financial District, but nobody made it out to the neighborhoods - Sunset, 19th Ave, etc... were all safe. And while this is surprising, because you can walk the whole of San Francisco in a few hours - so Godzilla could monster mash his way through in a matter of minutes - it is also comforting to know that Hollywood only hates businessmen. With a passion. Thousands must have died.
The ultimate point of Godzilla, however, seemed to be that humans do not do anything to alter the course of the natural world. We might mess around with our little toys and cause mild destruction to each other, but it takes a big dog to show us that when it comes to full-scale catastrophe, we still piss like puppies. We don't make tsunamis, earthquakes, or wrecking balls that can do so much damage to the world we live in (there's a Miley Cyrus joke in there, but I refuse to encourage things like that in writing - so just fill in the blanks for yourself) as one bent-in-on-itself claw from a generic-looking giant insect.
Of course, we don't do a whole lot to help either. As far as I can tell, if you had left the humans out of this story completely, nothing about the outcome would have been altered in the slightest. It would have played out the same way. We just wouldn't have been around to see it.